When I started writing in 2009 as a humor columnist, I wrote in 800-word sound bites that wrapped up neatly and made people laugh, but made them think, too. It was a fun couple of years writing that column weekly for the local newspaper. Then I decided to write a book, a completely different animal.
Unfortunately, I just sat down at my laptop with the seed of an idea and started typing. I wasted a lot of time doing that, but I got a feel for how it felt to write a long piece rather than a short one. Then I started attending writing conferences, and my eyes were opened.
I’d made…Every. Mistake. In the book. (Pun intended)
I went back to my laptop armed with hundreds of pages of notes from writing conferences and began afresh. One thing that finally wormed its way into my brain, after studying the publishing business from the ground up, was that I was cross-pollinating women’s fiction and suspense, a process referred to as “genre confusion.”
This is not what publishers are looking for. The book has to tidily fit on a shelf beside other books of the same ilk, and my ilk was confusing. Genres have extremely specific rules, at least if you want to land a publisher; and if those rules aren’t respected the manuscript gets tossed on the slush pile. At the bottom. I got rejected more than thirty times but kept trying. Finally, I landed a knowledgeable agent that had worked as an acquisitions editor for a major publishing house, and this woman taught me a lot about genre. As we worked together on my manuscript, she proclaimed that I had to choose: women’s fiction or suspense, and if that if she were me, she’d choose suspense.
So I did. Everything I wrote had a dark side anyway, and it didn’t appear I could willingly leave this behind, so instead, I embraced it. This has been great fun. Then, in wondrous and fabulous epiphany, at one of my writing groups, I heard the best definition of the difference between mystery and suspense ever: Mystery is Whodunnit. Suspense is Whydunnit.
The intriguing “Why” of the suspense genre nudges my books toward a women’s fiction/book club slant, and I’ve been writing dark and twisty stories about psychologically or emotionally flawed women ever since.
THE ‘WHAT IF’ FACTOR
Upon finally landing on a genre I enjoyed writing, I looked around for ideas. I am one of those people who enjoys talking to strangers and discovering fascinating tidbits about their lives, so it was no surprise when at one of my writing events for my first book, I stumbled across a story idea for the next one. Among all the authors sitting at tables, salivating for customers to buy their books, one woman drew potential customers like flies to honey. I couldn’t stand it, I had to find out what was so different about this author. I ran over to her table, and we began chatting. She told me she’d had a horrible car accident that had nearly killed her, and she’d been in a coma for six months. When she woke up, she said, she was completely different. Instead of a shy wallflower, she arose a confident, funny, arresting woman, in love with life and grateful for every second. She laughed about it, and I was somewhat horrified but thoughtful. We parted ways, and The Deadening was born from that idea. I started playing the “What if” game. What if this woman was assaulted? What if her identity has been erased and she lands in a hospital as a Jane Doe. What if her personality is so different, that even her family cannot believe it. What if she had a ridiculously tragic marriage, and her new personality isn’t swallowed so well by her husband?
See how it works? It’s best to play the “What if” game with a couple of glasses of wine and a cat in your lap.
I am happy to report that as a result of playing the “What if” game, my publisher offered me a contract for the next two in the series. “The Rising” releases in 2022, and the final book in 2023. By the time these books release, ‘what if’ I stumble over countless other story ideas in this wild adventure that we call life? I’m positive that I will, and I’m pretty sure they’ll end up as books, too.
Olivia Callahan Suspense Series: Book 1
Publication Date: February 21, 2021
OLIVIA CALLAHAN’S quiet, orderly life is shattered when she regains consciousness in a hospital and discovers she is paralyzed and cannot remember a thing. The fragmented voices she hears around her help her piece together that an apparent assault landed her in the hospital, but nobody knows who attacked her, or why.
Now, in spite of a brain injury that has rewired her personality, Olivia is on a mission to reclaim her life. As clarity surfaces, and she starts to understand who she was, she is shocked.
Could she really have been that person?
And if so, does she want her old life back?
“A gripping read populated by likable characters. Peresta draws us into a colorful detailed world and makes us care what happens to the people living in it. We root for Olivia as she struggles to regain her memory, her bearings, and the identity she lost long before her injury. Excellent!”
– Susan Crawford, Internationally bestselling author of The Pocket Wife and The Other Widow.
“The Deadening is a captivating psychological suspense novel that will have you holding your breath with each turn of the page. Peresta has created a world chock-full of characters who are dynamic and unforgettable, for better or worse. Hold onto your seat.”
– Clay Stafford, bestselling author and founder of Killer Nashville Writers’ Conference
This is a Rafflecopter giveaway hosted by Partners in Crime Virtual Book Tours for Kerry Peresta. There will be 1 winner of one (1) Amazon.com Gift Card.
The giveaway begins on April 1, 2021, and runs through May 2, 2021. Void where prohibited.
Kerry’s publishing credits include a popular newspaper column, “The Lighter Side,” 2009-2011; and magazine articles in Local Life Magazine, The Bluffton Breeze, Lady Lowcountry, and Island Events Magazine. She is the author of two novels, The Hunting, women’s fiction, released by Pen-L Publishing in 2013, and The Deadening, released in February 2021 by Level Best Books, the first in the Olivia Callahan Suspense series, She spent twenty-five years in advertising as an account manager, creative director, and copywriter. She is past chapter president of the Maryland Writers’ Association and a current member and presenter of Hilton Head Island Writers’ Network, and the Sisters in Crime organization. Recently, she worked as editor and contributor for Island Communications, a local publishing house. Kerry and her husband moved to Hilton Head six years ago. She is the mother of four adult children and has a bunch of wonderful grandkids who keep life interesting and remind her what life is all about.